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Olympus FE-250
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8.00 Megapixels
3.00X optical zoom lens
2.5 inch LCD |
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From time
to time you now don't want to worry over whether you should decide the
broth or the salad; the Coke or the Pepsi; the PC or the Mac. Olympus
realize just how firm some choice can be, which is why it's complete the
FE series of digital cameras. They're easy and direct, and they need
almost no choices as well when to push the close. The Olympus FE-250 is
one such camera.
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The good-looking, compact FE-250 measures 0.8 inch broad and weighs
fewer than five ounces. Its little metal body fits contentedly in most
pockets. in spite of its little size, the camera's a variety of controls
are simple to influence, with buttons big enough for big thumbs to use.
The FE-250's the majority notable trait is its lens. The camera's
38mm-to-190mm-equivalent lens offers a 5x exaggeration factor over the
additional FE-cameras' 3x lenses. As well the increased zoom, the FE-240
sports quite mundane skin, such as a 7-megapixel sensor and a 2.5-inch
LCD monitor.
similar to all Olympus FE-series cameras, the FE-250 is approximately
totally devoid of physical settings. as well flash and macro shooting,
preset sight modes, and contact recompense, users can't create any image
adjustment. White equilibrium, ISO compassion, and other factors be
totally automated by the camera, charitable a extremely literal sense to
the phrase "point-and-shoot." This isn't of necessity a bad thing;
mechanization can be helpful as long as the imagery look good in the
finish.
The FE-250's presentation ranged as of middling to awful. After a
2.6-second start-up time, we could merely fire off a shot each 5.1
seconds; that painful stay greater than before to 5.7 seconds with the
aboard flash enable. While 5 seconds is certainly far too long to stay
between shots, it's not too astonishing; the previous-generation FE-200
had shot-to-shot era of more than 7 second. The close wasn't almost as
responsive as it should have been; cover 0.8 next on our high-contrast
target and 1.9 seconds in low-contrast circumstances. Like approximately
all Olympus FE-series cameras, the FE-250 doesn't have any rupture mode.
Though its
presentation was unsatisfactory, the FE-250's images be actually fairly
nice. Colors were precise and neutral--even inside, a tricky obsession
to achieve with a camera's routine white equilibrium. Fine details came
from side to side obviously, and we saying very small lens bend. Because
of its completely automated process, we couldn't perform our filled
routine of noise tests, other than given sufficient lighting, photos had
extremely little grain or down. Just be cautious when shooting in near
to the ground light; the camera mechanically ramps up the ISO
compassion, generate lots of noise.
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